Flying Panels Exhibition

  • Project facts
  • Client: ArkDes
  • Location: Stockholm
  • Year: 2019
  • Photograph: Jesper Mellgren

In the post-war era of urban reconstruction, the concrete panel represented optimism, a utopian symbol of hope for a better world, to be built from the ground up. The image of the panel, suspended from a crane and swinging across the sky  above a construction site, became iconic. Today, concrete is more commonly associated with the grey monotony of the neglected cityscape, and the modular building system that once represented near-infinite possibility is often dismissed as ugly and dystopian.

What happened?

Opened on 18 October at ArkDes, Sweden’s national centre for architecture and design, ‘Flying Panels – How Concrete Panels Changed the World’ explores the changing fortunes of concrete building systems and celebrates the architectural optimism they once embodied. Researched by Chilean curators Pedro Ignacio Alonso and Hugo Palmarola and in collaboration with Senior Curator at ArkDes,  Carlos Mínguez Carrasco, the exhibition uses poster art, paintings, films, toys, cartoons and opera sets to examine concrete’s tremendous cultural impact across continents and decades, and showcases models of 60 modular building systems from around the world.

“We want to capture that utopian momentum where everything seems possible and the air is filled with excitement and anticipation for the future. For us, that moment in time is represented by the construction site. It’s a place where you look up, change your normal perspective, and let yourself dream for a while.”

 

Daniel Heckscher — Interior Architect / Partner

Tasked with giving the exhibition a spatial identity that would appeal to the serious architecture audience while remaining accessible to the concrete-curious public, we have developed a design concept based on the construction site. Taking inspiration from its contrast between organised structure and constant movement – materials piled on the ground and parts swinging in the sky – the studio has sought to translate the positive vision portrayed pop art and propaganda posters featured in the exhibition into its design and layout.

“Note Design Studio have created an extraordinary exhibition design for Flying Panels that upends the visitor’s expectations of what a show about prefabricated concrete panels should be. To wander in this colourful room is like floating in the sky, with the concrete panels flying around you. ArkDes’ historic exhibition hall is not easy to deal with, and Note’s design encloses the walls in an elegant way, creating a completely fresh impression of the space. Finally, Note put incredible effort into small details that you would normally never find in an exhibition design: beautiful, colourful touches that our audience will deeply appreciate.”

Kieran Long, Director of ArkDes

This change in perspective is integral to the experience of Flying Panels. By using objects, slabs and panels at different heights on the vertical plane and in different organised patterns, we divided the exhibition into defined areas, while also obliging visitors to engage with the space at multiple levels. The design encompasses the entire exhibition space, defining its territory like the fencing around a building site. In terms of aesthetics, we have compensated for the hard, cold and often rough look and texture of concrete, with warm, welcoming colours and a tactile material palette, creating a pleasing contrast between the atmosphere of the exhibition and its subject.

“Our task has been to find a balance between the context of ArkDes, the weight and importance of the 15 years of research that has been carried out by the Chilean Curators, and the overarching goal of making this an accessible, interesting and experiential exhibition for the public.”

Jesper Mellgren — Architect